Saturday, 30 August 2025

#2070 - you keep the sea in your soul

 


2070

6.243

31.viii.25

you keep the sea in your soul

 

so called

such days

 

as desert was

 

top of the head for a chimney

doom as much

so much luck in just one body

 

past an hour these minutes

 

sunshine under glass

 

stretch self into a day

and more of me upstairs

squeeze here

 

sad with the facts

a treetop sway

 

prepared again for the impossible

 

all the things that could have happened

they are with us too


Friday, 29 August 2025

#2069 - the silence in the scream



2069

6.242

30.viii.25

the silence in the scream

man in blizzard with guns

 

outlash of

kiddy fiddler not quite caught

sovereign of do-what-the-fuck-I-want

 

here’s an urge

wind to cut a man in two

imagine the hero’s bullet hail

 

these decades prepping

congealed adrenalin

 

the shooter, victim strew

winter tough

righteous of survival

 

he is admired out of the law

even quietly, beer over

 

thinks it’s America

bushranger too

 

down the minseshaft bunker with Hitler

he’s rubbing two sticks together

there’s petrol

there’s testosterone

 

everybody’s glued to a set

and some would like to see him rot

some want the authorities hanged

 

latter day Kennedy brings a dead bear

 

the vaccinated come

 

find him frozen

biscuit harmless

sat up

 

make his tomb the mountain

ask where did we go wrong- 




How to write a long poem #5 - On the Wildcat Trail (tidy up of the highlands materials)


 


ON THE WILDCAT TRAIL AT NEWTONMORE

 

 

Strone Walk

black faced

 

stones turn to sheep

 

sheep are the colour of sky

 

roof stoved

 

bleat away

 

clouds are to fall

 

the unseen pigeon

a plaint

 

brindle mottle

the shearing’s today

 

sheep turn back to stones


 

in meadow wilds

 

track to mud

 

rill stream

 

here’s breeze from another season

 

birdsfoot trefoil

the northern marsh orchid

goldenrod, kidney vetch

mouse ear hawkweed – cluas luch

 

who wouldn’t love what’s in these words?

 

not faroff though there is one

keeps shooting at the birds


 

the Coffin Road

on the Wildcat Trail

 

 

summer is walking, it narrows the track

 

where at one time stood the last Gaelic sign

 

hoof smooth or mossed to tell

 

common sundew, spear thistle

all the air’s alive

 

here’s heather bright rush of the burn

 

budding spring so

 

harebell and the heath spotted orchid

 

among low birch fence down now

the old hut circle … 

 

upward the adventure of trees

 

all this sad religion

 

dead flowers for freshest graves

 

whose ancestors were these?

 


 

on foot to Kingussie

at my own pace

 

attempting thoughtless

receiving what’s sunshine

 

to make my own rhythm

 

will the world keep up?

 

luck spending

a way and wherever

 

aimless as able

 

under the map and by beech leaf turn

(that’s just to show a breeze)

 

village edge bleat

 

under my own steam

to the squirrel hill come

 

cloud of flies up close

here’s highland lumber of the sheepdog cow

 

and there’s the path’s dead rabbit

 

distance is the town

 

as flightless as the next I am

 

propelled by just the occasional fart

 

it’s not shoe leather anymore

it’s some petro-carbon these days

 

with just some hills for company

just some floating tufts

 

as if by the book

 

it’s at my own pace

the craft with which I go


 




the dragging of the heels

by the River Spey

 

vanished but hear it

 

flowers of the wild

now summer shining

 

midge stillness too

day grassed over

 

a headful of hay in these horses

 

skein of sheep here there

barbed fence rubbings

 

voices fade from

 

bees attend the flower

 

the path brings a river back

this one is the Calder

 

warm shallows and quartz inscribed

 

each stone a world shaped

island at least

speckle and glitter

come dry to rest past

 

some like eggs

from which burst forth 

 

the lambing ewes as signed

as grey a sky as any


 

 




the bracken way

by Loch Gynack

 

through dell, burn beside

past ruined mill

 

old walls now mossed

hands’ witness

 

summer leaf, pigeon high

tall pine too

 

up Creag Bheag

by raspberry lit

 

into the open then

heather chicken

flee on foot

 

there’s all the moor spread

 

I prefer the woods

sunlight uphill mottling

 

shade and breeze my friends

long dusk

 

undercrunch

and then

 

book open so

fall in with the lines as they fall

 

stop to hear the bees


 




 

lines from a stray breeze

 

little bridges of the marsh

 

a view through rust

to the sandy bottom

 

shadefolds of crag

look up to see such clouds as find us

the anvil and the rag

 

underbranch

dungwhiff, the overripe bloom

thistle and wild grass

shadow patched

 

things land on me here

they take off again

 

though we are walking away from

a sun here follows us over

 

meadow crossing

years more than we count

lie wrecked all around

 

we grow over too

 

hear the unseen marksmen

make weekend creatures game

 

meadowsweet, angelica

honey scented hours

 

unfortunate machinery

keeping our wilds at bay

 

 

 

 

 

 


 

 

 

the old hut circle

 

watch footing, wonder

 

how did they come here?

why, where did they go?

 

poem is the map I make

 

it has these hills, the gates to lock

 

pinks of bark and lichen grey

 

a quern for grain to grind

 

this was a twigsthrow sky

 

eyes up, see clouds are resting

 

every view’s out to the day that was

 

each look-in’s this heart run

 

clouds inching on if you’ll stay

 

it was the sheep knew what they knew

 

the underhat for summer, breathless

 

where was hearth and love and strife

moss now, fallen leaves

 

 

 

 

 

 


 

Loch Insh

 

pudding weather

 

the wind on the water

reeds dividing

 

sun shows the two ways at oars

 

a painterly place

weather upstairs

dungsides and pinespeak

 

headhigh in bracken

 

a steady willow wave

drama of tresses

 

ghosts see right through me

 

it’s almost as if one remembers

the land was this shape already when

 

… then a forking in the mind

 

there’s no midge dares this wind

 

call the wild swans to worship

they still belong to the king

 

a while since – was it the 11.45?

 

it’s almost through all of the day

steel rails in their silence shine

 

you see how I’ve not quite forgotten the people

though that is why we’re here

 

 

an outlaw for the crime of being

 

 

 

 

 

 

 

 

 

 

Jamie Macpherson

hanged for an Egyptian and traveler, 1700

 

Fareweel, ye dungeons dark and strang, fareweel, fareweel tae ye

                                                 – traditional

 

bagged like a cat with a blanket thrown

so unsworded, bastard outlaw

 

robbin’ the lairds and loving the crofters

 

his enemy the sleekit Laird Braco

toff with a grudge

who set the town clock on

when the messenger with the pardon came

 

at merkat cross

here’s more alive than any there

condemned for the crime of having been born

 

a tune

a rant at the foot of the gallows

 

and how many times?

how many will deny me now

come to see, to hear

 

condemned to hang for the crime of existence

 

…no one for my fiddle? no one?

I smash it to splinters then


 





òran luaidh

(waulking song)

the women call and come after

 

Hoirean ò hi ri ìthill iù

Ho ro hiu ro éileadh

Hoirean ò hi ri ìthill iù

            – traditional

 

 

mind for skelfs on the table

 

it’s most of the sun shone

and down through time

dawn dusk out of the otherwise day

 

they are translating the cloth

 

by wash, sing tweed the table round

 

with gossip, so much reputation

out of the mattering, this does

 

a kind of pride to sing –

the spinning, the weaving, the dyeing too

 

all the before of these inches to tighten

 

the rent from this, the pennies for need

 

they are passing along

 

hearts pour out

to sing the men whaling, the men at war

 

spring blooms, hills in lamblight

 

here’s the silly goat, croft climber

 

stale piss to add now

and pick up the pace

 

top of finger to the first knuckle

that’s how we measure the tightening too

 

a peatsmoke choke

sky high as blue

 

climb up to the sheiling

where secretly a heart is pledged

 

rough hands

love told too late

daft boy

 

the lamb in the grass

in the singing all round

 

and that’s your winter warm


 





bothy objects

 

coracle for my back

a net between two to catch

 

the curling on the little loch

black house, choking peatsmoke

soot bricks, flails and scythes

a cruck frame, oats for quern

quaich of whiskey, toddy ladle

the dad’s stool with the Bible under

eyes adjust

‘lecky no tilly now

loungeroom’s colder

 

a mattress of heather or straw

 

there’s an animal end and there’s ours

 

a string across the knobs on the cradle

will keep out the cats and the fairies


 






Ossian’s Fingal

 

fair stranger in a grey world

 

in the time before time was

there was a king of ships

 

a garden of flower and stone

 

some say that this is a folly

the water flows all ways at once

 

if I am a lie then well woven

 

we see the ghosts of all before

we must imagine what they’ll say

 

and ‘each man kills the thing he loves’

there’s no one else around

 

mist lifts from a vanished land

it’s ruins as far as we see

 

 

 

 

 

 


 

in a circle of stone

at Machrie Moor

 

heaving grief, tired as fear

 

a hard man – here’s respect!

 

we place it down, the crouch of bone

 

elk and auroch, boar and fox

these all whom he brought low

 

man of stone, his face on yours

 

here’s hate and tender too

 

by a sheep ridden ruin

by the dung rusted byre

 

a wall of were clover overgrows

 

by power of death alone we work

 

and the big man is planted to the underlife

 

all this stone we’d heave

we’d haul and more

another mile we’d haul

to keep the fucker down

 

 

 


 

so golden, so green

 

there are no colours in the wild

but tree for cloud for cow

 

sky worn with its turning

 

lank grass cropped

 

the burn away

 

read the shade

 

there’s not the clock to stop

 

it’s over the hill

 

a tunnels-end yellowing

 

there are no such afternoons

 

but here’s a little stillness

all heads turned towards

 

just so we are observed


 





eking and out

 

on mist day, cloud day, bucketing day

on thin spit, in the blinding

sheep all sing

 

its bleat against bleat

 

in hill fleece and sky

the run and tumble

 

a bounce along – so we

by ewe, by ram, by wether

 

and colour up out of a storm

 

knit bleak, so you’ll say

but we stand it

 

some of us sidetracked

often outfoxed

 

and then there’s Sunday dinner

 

a crook in the fold

 

you might make a religion of this

 

blade by blade, the eking

 

shear me now, else summer

 

grass to sway, rhythm of dale

 

sing down to the shore

and some say ‘sea’

 

we others snore

whether or not you’re listening

 

 sheep all sing

 

on mist day, cloud day, bucketing day

on thin spit, in the blinding

 

 





 

jamming

far green in the mist of which

 

a voice in the timber tells

and welcome, fáilte    

 

mountain moment

hoofing the wish

 

timbre of the stream

in a ballad bowstroke

in the eye-to-eye reminds

 

some goblin stoking chimney as guessed

 

at the unself end of a tune

and next, and is it?

 

quick in the paw these tricks

 

the dark and the light

grip to the echo, then none

 

deeps in the down of a long lost vowel

 

whole cities burned

 

it’s witching

to saw a world or so

in this many parts, in two

 

there’s time for a silence in the after while

 

and as I sketch it here

 

there’s not a word required

 







Now for the next step with these mateials, the questions are - 
- which of these parts can make a long poem?
- which of the children to slaughter?  / Or what can be done with leftovers?
- how to order the parts to keep (title / beginning / ending)?
- what kind of a journey to expect of the poem?